If you’ve spent much time around the Wissmach Glass social media profiles, you’ve seen work from Bob Fleischman. He won a couple of our monthly giveaways during our 120th anniversary in 2024, but more recently, he has been treating members of our Friends of Wissmach Glass Facebook Group to progress photos of many of his pieces, from drawing to cutting, to building, and ultimately to completion.
Bob Fleischman has been working in glass for 32 years. He has operated several public and private studios over the years, and the most recent manifestation is Every Single Piece, established as he prepares to retire from a career in the Army in 2026.
Bob first learned stained glass in a production studio in Austin, TX called The Front Door. The Front Door did custom millwork, and Bob built the glass pieces that would be inserted into the doors, sidelights, and transoms.
Bob remembers using Wissmach Glass from the beginning of his stained glass career, 32 years ago. “Probably started with English Muffle, but I love it all.”
His artistic journey began as a painter, so when he got into glass, the progression felt natural. Great artists of the past inspire him, and he tries to pay them homage in everything he creates. His current work is most inspired by Alphonse Mucha, Gustav Klimt, and John William Waterhouse.
Bob’s favorite aspect of working with glass is how it changes mood depending on the time of day, weather, and fleeting cast images. He loves to push the boundaries of building with lead came. “I feel for flat panels, lead is stronger, looks better, and with the price of solder these days, it’s more economical.”
Through his studio, Bob takes custom requests, but most of his work is created to suit his own desires and inspiration. His level of experience enables him to work quickly and precisely, even on complex projects.
Editor’s Note: He’s so FAST! Additionally, he enjoys listening to techno music in the studio, which I found surprising. But I love a good surprise.
“I may be a glutton for punishment, but I try to make them harder every time.”
When asked what he likes about working with Wissmach Glass, he said that it cuts particularly well. He likes to mix things up in his studio, so he works with and has cut glass from many different manufacturers. He knows the nuances of each and credits Wissmach with being consistent and easy to work with. He also says it plays well with others, so while Wissmach forms the core of most of his projects, he appreciates being able to incorporate elements from other producers.
Do you use Wissmach Glass in your studio? Have you used it in a large or otherwise exciting project? We’re working on highlighting more of our customers’ creations in a longer form than social media typically allows for, and we want to hear from you! Fill out this form for a chance to be featured on our blog.
To ensure you get the latest updates about all things Wissmach, join our email list.
Comments are closed, but trackbacks and pingbacks are open.